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British popular music : ウィキペディア英語版 | British popular music
British popular music and popular music in general, can be defined in a number of ways, but is used here to describe music which is not part of the art/classical music or Church music traditions, including folk music, jazz, pop and rock music.〔R. Shuker, ''Understanding popular music'' (London: Routledge, 2nd edn., 2001), pp. 8-10.〕 These forms of music have particularly flourished in Britain, which, it has been argued, has had an impact on popular music disproportionate to its size, partly due to its linguistic and cultural links with many countries, particularly the former areas of British control such as United States, Canada, and Australia, but also a capacity for invention, innovation and fusion, which has led to the development of, or participation in, many of the major trends in popular music.〔P. Childs, M. Storry, ''Encyclopedia of contemporary British culture'' (London: Taylor & Francis, 1999), p. 412.〕 This is particularly true since the early 1960s when the British Invasion led by The Beatles, helped to secure British performers a major place in development of pop and rock music, which has been revisited at various times, with genres originating in or being radically developed by British musicians, including: blues rock, heavy metal music, progressive rock, punk rock, electric folk, folk punk, acid jazz, drum and bass, grime and Britpop. ==Early British popular music== (詳細はbroadside ballad, which were sold cheaply and in great numbers until the nineteenth century.〔B. Capp, ‘Popular literature’, in B. Reay, ed., ''Popular Culture in Seventeenth-Century England'' (Routledge, 1985), p. 199.〕 Further technological, economic and social changes led to new forms of music in the nineteenth century, including the brass band, which produced a popular and communal form of classical music.〔T. Herbert, ''The British Brass Band: a Musical and Social History (Oxford: Oxford University Press, 2000), pp. 4-5.〕 Similarly, the Music hall sprang up to cater for the entertainment of new urban societies, adapting existing forms of music to produce popular songs and acts.〔Diana Howard ''London Theatres and Music Halls 1850-1950'' (1970).〕 In the 1930s the influence of American Jazz led to the creation of British dance bands, who provided a social and popular music that began to dominate social occasions and the radio airwaves.〔C. Parsonage, ''The evolution of jazz in Britain, 1880-1935'' (Aldershot: Ashgate Publishing, Ltd., 2005), pp. 197-200.〕
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